Richard Laymon Same Vein






RATING:

Date of Release: September 2002

Publisher: Leisure Books

Review Source:

Four Dark Nights by Little, Clegg, Golden, Piccirilli

Leisure's popular and acclaimed horror line continues its foray into hardcover publishing with FOUR DARK NIGHTS, an admirable demonstration of how effective the novella format can be. Many have argued that, by definition, short stories and novella length works are perfectly suited to the horror genre because of the short, sharp shock of their format, whereas full-length novels are often unable to sustain the appropriate chills and thrills throughout their longer, more complicated storylines. Whether this is accurate is surely subject to debate; however, FOUR DARK NIGHTS makes for a compelling -- if a bit uneven -- argument for the novella's legitimacy and worth.

Bentley Little begins the four-novella collection with a bang, offering up a very high-throttle narrative that starts fast and never lets up, very brutal and violent and weird...very Laymon'esque, one might even say. Particularly hardcore and vivid for him in its pared down depiction, it's a winner. The only complaint is that the ending seemed a bit rushed and anti-climatic, as if the novella's furious pace didn't allow enough subplot to develop as to allow the novella's finish to be equal with the story itself. Christopher Golden followed up Little's with a sometimes poignant, horror-and-fantasy hybrid that involved a daughter's mourning of her deceased father...and Vikings. Mostly entertaining if at times a bit overwrought, ultimately it came off as dismissive and a bit lightweight, especially compared to the Little novella that preceeded it. Tom Piccirilli came in third with an interesting work that put a modern spin on the oft-used sideshow theme, but the story seemed to quickly become lost and muddled in a fog of obfucscation and lyrical writing without point. A disappointing and confusing effort, particularly from such a talented author whose previous works have always set such a high standard. Douglas Clegg closes the collection with a work of outstanding imagination and horrific imagery -- very vivid and chilling. While arguably it could have been pared down a bit tighter, it was certainly an engrossing and impressive work...the second best of the lot.

While this collection will not yet put to rest the aforementioned debate of novels versus shorter works, it still remains a collection worth seeking out...and Leisure is to be commended for bucking mainstream trends and publishing the rarely-seen novella form in this literary landscape of bloated Stephen King bestsellers.



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