Richard Laymon Same Vein






RATING:

Date of Release: May 2003

Publisher: Delirium Books

Review Source:

The Rising by Brian Keene

Apocalyptic, end-of-the-world tales have always been a popular theme in horror fiction, stories and novels of varying quality appearing regularly since the first early floundering of the genre's roots. Author Brian Keene continues this fine tradition with THE RISING (Delirium Books, 2003, 1/300 signed hardcovers, $50), one of the bleakest -- and engrossing -- contributions this chilling lineage has to offer.

In a world devastated by disease and violence, the dead are returning to life as intelligent zombies, beings far more capable and cunning than the traditional zombies of film lore. Jim Thurmond has escaped the ravages of the new world within the confines of his underground bunker and seems content to live his life trapped...but alive. Then Jim discovers his young son, hundreds of miles away, is alive and in desperate need of his rescue. Despite overwhelming odds, Jim vows to find him or die trying. During his embattled mission, Jim finds himself crossing paths with an elderly preacher, a guilt-ridden scientist, an ex-prostitute and junky, and a host of other beings both good and sinister, alive and dead.

THE RISING's characters are truly the lifeblood of the novel, and Keene's passion for their plight and history shows. No cardboard characters these -- Keene's characters are fully-fleshed beings of poignant regret, familial ties and stirring determination. The novel may have a couple shortcomings: lack of true contextual explanation of the origin of the evil, almost Lovecraftian, force at the core of the Rising; and a military slant that somewhat overwhelmed and dominated the second half of the book. Yet even these two concerns were never at the expense of its characters. Keene knows the narrative thrust of a survival novel depends primarily on the personality and peril of its characters, and he never sways from this wise focus. Be warned, however, THE RISING has none of the beautified mysticism of McCammons's SWAN SONG or King's THE STAND; this street-smart, gritty work of nightmarish brutality wears its emotions and violence on its tattered, bloody sleeves and never lets sentiment slow its Mack truck pacing nor distract from its ugly, horrific subject matter.

With THE RISING, this then is how the world ends...not with a whimper, but with a bang -- the best damn bang for your small-press buck so far in 2003. Miss it at your own peril.

-- Ron Clinton, USA




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